火炎プリンター
April 22nd, 2013 | Filed under: Uncategorized | Tags: reblog | No Comments »
スイス人デザイナーは、インクジェットプリンターにブタン/プロパンの混合ガスを燃料にした火炎ノズルを替えて、この火炎プリンターを作った。画像をマトリックスに解析してから、プリンターを持って上から下に動か

スイス人デザイナーは、インクジェットプリンターにブタン/プロパンの混合ガスを燃料にした火炎ノズルを替えて、この火炎プリンターを作った。画像をマトリックスに解析してから、プリンターを持って上から下に動か
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First introduced as an imaginative concept by Dutch design agency Bleijh about seven years ago, the Sandwichbike has finally reached maturity.

Designed by Bitcraze, the Crazyflie Nano Quadcopter is an open source development kit to make your own tiny drones.

New York artist Jason Hackenwerth, known for his organic and biological forms made from latex balloons, just unveiled his latest work at the Edinburgh International Science Festival in the Grand Gallery of the National Museum of Scotland.
via colossal

Milan 2013: a compact furniture production line designed by Design Academy Eindhoven alumni Thomas Vailly, Itay Ohaly and Christian Fiebig has won this year’s Frame Moooi Award.
via dezeen

Kinetic sculptor Bob Potts creates beautiful kinetic sculptures that mimic the motions of flight and the oars of boats. Despite their intricacy the pieces are surprisingly minimal, Potts seems to use only the essential components needed to convey each motion without much ornamentation or flourish.
via colossal

チェーンまで一体化されたパーツから構成されている自転車。フレーム、チェーンなどの部品を切断したり磨き上げたり組み立てたりして、最後に自転車を作ることができる。お好みに合わせて色を塗ることもできて、
via 革新的発明と製品情報

Daniel Rozin’s sculptures pay as much attention to you as you do to them. From a distance their pre-programmed patterns hypnotize like high tech lava lamps, but when you approach, something even more unbelievable happens: the moving parts begin to align and shift to mimic your shape in real time.
via design milk

Big Air Package is the latest project from artist Christo installed at the Gasometer Oberhausen in Germany, a facility that still holds the record as the largest disc-type gas holder in Europe that was converted into an exhibition hall in the 1990s.
via colossal

The fascinating new documentary explores the implications and almost infinite possibilities of this kind of creative software and elaborates on how, contrary to popular assumption, “rules and codes do not hinder the chance to create.